PORTFOLIO

The Hemmels Mercedes Benz W-113 prides itself on its luxury and advanced engineering. It's only right it has a website to match. We partnered with Poppins agency and developed a site that promotes the glamorous electric car with advanced, high-quality 3d web technology.

The Hemmels Mercedes Benz W-113 prides itself on its luxury and advanced engineering. It's only right it has a website to match. We partnered with Poppins agency and developed a site that promotes the glamorous electric car with advanced, high-quality 3d web technology.

We are invited to take a trip down memory lane and see the car immersed in the visual styles of the past decades. Video transitions showcase the beauty of the vehicle with crisp reflections. Further scrolling brings us to more informative sections featuring the engineering marvels of the vehicle with interactive surprises along the way.

After the initial video sections, the user is given more details about the car. Finally, a contact form prompts the user to start their own journey to owning a sophisticated piece of art, the Hemmels.

This experience was featured in Paris by the Seine during the Red Bull Cliff Diving World Series event. It introduced users to the world of cliff diving through a series of animated posters. As you scanned a poster, it would reveal a 3D animation with a voice over narrated by top cliff divers Gry Hunt and Rhiannan Iffland. The animations put the users in their shoes (metaphorically, as cliff diving is done barefoot) on top of the diving board. Users were taken through various stages of a dive and experienced it from a first person point of view. They were then given more information about cliff diving with various animated infographics showing the evolution of the sport, along with various pictures of divers.

This experience was featured in Paris by the Seine during the Red Bull Cliff Diving World Series event. It introduced users to the world of cliff diving through a series of animated posters. As you scanned a poster, it would reveal a 3D animation with a voice over narrated by top cliff divers Gry Hunt and Rhiannan Iffland. The animations put the users in their shoes (metaphorically, as cliff diving is done barefoot) on top of the diving board. Users were taken through various stages of a dive and experienced it from a first person point of view. They were then given more information about cliff diving with various animated infographics showing the evolution of the sport, along with various pictures of divers.

Binance partnered with The Weeknd to show a mini AR game outside of concert venues on his After Hours Til Dawn tour. A 3m tall golden cube stands outside the venues. Once users have launched the app, they can scan the cube with their phones to reveal a futuristic environment inside of the cube. After they successfuly find the magic cube, they have a chance to win a prize.

Binance partnered with The Weeknd to show a mini AR game outside of concert venues on his After Hours Til Dawn tour. A 3m tall golden cube stands outside the venues. Once users have launched the app, they can scan the cube with their phones to reveal a futuristic environment inside of the cube. After they successfuly find the magic cube, they have a chance to win a prize.

This interactive site brings a whole new meaning to flying in style. It gives you a full luxury experience right from the comfort of your own home. Alongside Poppins agency, our developers brought the Vistajet website to life with cutting edge 3D technologies.

This interactive site brings a whole new meaning to flying in style. It gives you a full luxury experience right from the comfort of your own home. Alongside Poppins agency, our developers brought the Vistajet website to life with cutting edge 3D technologies.

The site starts with scroll triggered cinematic WebGL animations of the Vistajet Global 7500 plane flying through the sky. After exploring the outside of the craft, the site takes you onboard the sumptuous private jet for a tour of the interior using 3D renders of the plane. This caters to users who like to know exactly what to expect from their flight. Our coders developed custom WebGL shaders to seamlessly transition from one high resolution photo to the next, for sections of the page that showcase the various destinations and onboard entertainment options.

This website presents the 2.0 version of the Manx dune buggy. It utilises a variety of techniques to keep the user engaged.

This website presents the 2.0 version of the Manx dune buggy. It utilises a variety of techniques to keep the user engaged.

We start with pre-rendered HD videos of the buggy driving in the desert. User interaction triggers transitions between the videos, to give it an interactive feel.

Once we've entered the site, it scrolls horizontally, then vertically, then horizontally again. Images of the buggy along with certain headings use a parallax effect to create a sense of depth.

And a few extra interactive components spice things up: between certain sections, a buggy follows the user's mouse. We also have a configurator that allows the user to create variations of the buggy, and interactive text made of sand particles that are disturbed by the user's mouse.

EE wanted to showcase the strength of their 5G signal and its potential for use in tomorrow's shopping. The experience was set up outside of Wembley Stadium before two England friendly football matches. Fans would scan a QR code outside the store to launch the app. Inside, they scanned the images on the walls to access content in AR. A holographic video of Trent Alexander-Arnold introduced the store. The users then viewed garments within the AR space, where they could zoom and rotate the products. The garments were then available for purchase.

EE wanted to showcase the strength of their 5G signal and its potential for use in tomorrow's shopping. The experience was set up outside of Wembley Stadium before two England friendly football matches. Fans would scan a QR code outside the store to launch the app. Inside, they scanned the images on the walls to access content in AR. A holographic video of Trent Alexander-Arnold introduced the store. The users then viewed garments within the AR space, where they could zoom and rotate the products. The garments were then available for purchase.

Outside the store was an AR photo opportunity with Trent Alexander-Arnold, letting fans snap pictures of themselves next to a hologram of him. He was unfortunately not playing in those matches due to injury, so this was a unique opportunity for fans to interact with his 3D avatar.. The experience was featured in several newspapers and blogs: Daily Mail and the Express.

For the 2020 Tokyo Olympic Games, we worked on an AR web-app for ComCast Xfinity. It was available via a QR code in 400 stores and bus stops across the USA, in English and Spanish.

For the 2020 Tokyo Olympic Games, we worked on an AR web-app for ComCast Xfinity. It was available via a QR code in 400 stores and bus stops across the USA, in English and Spanish.

We created 10 animations featuring Team USA athletes. The animations showed 2d cutouts of the athletes in action as they emerged from the Xfinity logo, then synced up to the background music. Each animation had its own Easter egg, such as animated water droplets splashing on screen, or triggering the animation by speaking into the user’s phone. Read Happy Finish's writeup here.

Another of our works developed for Happy Finish. EY wanted to create a website aimed at young graduates to promote career opportunities. It’s a content centric website featuring plenty of text, videos, brochures and PDFs. Users are also able to answer some surveys. We used 3D elements to spice it up without distracting from the content. The main menu is navigable in 3D space, and the individual pages each have subtle parallax elements. There is an Easter Egg for mobile users: the menu can also be navigated in an AR like fashion, by turning around.

Another of our works developed for Happy Finish. EY wanted to create a website aimed at young graduates to promote career opportunities. It’s a content centric website featuring plenty of text, videos, brochures and PDFs. Users are also able to answer some surveys. We used 3D elements to spice it up without distracting from the content. The main menu is navigable in 3D space, and the individual pages each have subtle parallax elements. There is an Easter Egg for mobile users: the menu can also be navigated in an AR like fashion, by turning around.

We crafted a cutting-edge Virtual Reality (VR) experience titled "McKinsey Impact" for McKinsey & Company. It was designed to innovate the recruitment process at career fairs and events. This immersive VR experience was strategically deployed at McKinsey's recruitment stalls to attract and engage potential talents by offering them a unique glimpse into the life of a project manager at the firm. By gamifying the essential tasks and challenges faced by project managers, "McKinsey Impact" not only educated prospective recruits about the critical role but also provided an interactive and memorable way to experience the firm's dynamic work environment firsthand.

We crafted a cutting-edge Virtual Reality (VR) experience titled "McKinsey Impact" for McKinsey & Company. It was designed to innovate the recruitment process at career fairs and events. This immersive VR experience was strategically deployed at McKinsey's recruitment stalls to attract and engage potential talents by offering them a unique glimpse into the life of a project manager at the firm. By gamifying the essential tasks and challenges faced by project managers, "McKinsey Impact" not only educated prospective recruits about the critical role but also provided an interactive and memorable way to experience the firm's dynamic work environment firsthand.

The VR experience stood out by allowing participants to navigate through a series of project management tasks, each designed to simulate real-world scenarios and decision-making processes encountered at the firm. This innovative approach not only showcased McKinsey's commitment to leveraging the latest technologies in its operations but also served as a unique filter to identify candidates with the potential, problem-solving skills, and creativity suited for the firm's culture. The competition element of the experience, where winners were awarded special prizes, added an extra layer of engagement and excitement, making "McKinsey Impact" a notable highlight at recruitment events and a successful tool in attracting top-tier talent to the firm.

For the launch of the Ford Mustang Mach 1, we were commissioned by Happy Finish to develop a mobile web app. This would let the user discover the new car in an interactive fashion. The interactive experience was an ambitious concept: as the car drives through a stylised environment, the user can switch between 4 different cameras, and can tilt their phone to move the cameras around the car.

For the launch of the Ford Mustang Mach 1, we were commissioned by Happy Finish to develop a mobile web app. This would let the user discover the new car in an interactive fashion. The interactive experience was an ambitious concept: as the car drives through a stylised environment, the user can switch between 4 different cameras, and can tilt their phone to move the cameras around the car.

At the end of the experience, the recorded camera data is sent to a server where a custom high resolution video is created in Unreal Engine. The user then receives their personalised video which can be shared on social media. Following the interactive experience, while they wait for their video to be rendered, users are directed to another page where they can discover the car in augmented reality by placing it in their environment.

Happy Finish hired us to create the promo page for Roche's ocular implant ( an implant that delivers drugs to help patients with visual impairment cause by diabetes ). The user first sees the model and can interact with it by clicking and dragging, as well as discovering several hotspots and the associated features. They then see an animation of the device delivering drugs into the patient’s eye, before finally seeing infographics and videos for more in depth information.

Happy Finish hired us to create the promo page for Roche's ocular implant ( an implant that delivers drugs to help patients with visual impairment cause by diabetes ). The user first sees the model and can interact with it by clicking and dragging, as well as discovering several hotspots and the associated features. They then see an animation of the device delivering drugs into the patient’s eye, before finally seeing infographics and videos for more in depth information.

We were commissioned by Poplar Studios to develop a mobile AR experience to promote Doritos’ ‘Make your play’ campaign. After viewing a short music reactive animation featuring video snippets from some of the headliners, users could then submit a form for a chance to win tickets and other goodies. The experience was available by scanning interactive posters in London, Manchester, Birmingham, Leeds, Glasgow, Liverpool, Bristol, Brighton, Cardiff and Southampton. You can watch the official recording here and see a write up about it on 8th Wall’s website here.

We were commissioned by Poplar Studios to develop a mobile AR experience to promote Doritos’ ‘Make your play’ campaign. After viewing a short music reactive animation featuring video snippets from some of the headliners, users could then submit a form for a chance to win tickets and other goodies. The experience was available by scanning interactive posters in London, Manchester, Birmingham, Leeds, Glasgow, Liverpool, Bristol, Brighton, Cardiff and Southampton. You can watch the official recording here and see a write up about it on 8th Wall’s website here.

We created two holding pages for Hot Dark Matter, an up and coming AR startup. They designed a minimal UI, and chose interactive 3D backgrounds from our Webremixer collection.

We created two holding pages for Hot Dark Matter, an up and coming AR startup. They designed a minimal UI, and chose interactive 3D backgrounds from our Webremixer collection.

We gave them access to our proprietary CMS, which they used to tweak these backgrounds to their liking. This made the whole process very efficient, as they were free to experiment with different variations of the backgrounds and create their own versions, instead of having to rely on our developers to make changes. This freed our coders so that they could focus on optimising and testing the code.